Showing posts with label Blackout. Show all posts
Showing posts with label Blackout. Show all posts

Tuesday, October 20, 2009

Who's setting the mood?

One of the most salient features of the best music is its ability to stike a mood, to capture a sound that reflects its time. Miles Davis' "Kind of Blue" encapsulates the late 1950s cool and sets such a definitive mood, just as John Coltrane's Impulse! releases hit the mark for the 60s. Can you hear George Benson's "Breezin'" without being transported to the late 1970s?
While there's a lot of terrific music recorded today, one has to wonder if anyone is really, really nailing the sounds that will become associated with this decade in such a way.
That's the first step towards becoming a classic ...
While I don't know if they've hit the right mood yet, several new releases have powerful moods that strike me as being potential classics -- though only time will tell.
Stefon Harris and Blackout's outstanding "Urbanus" has such an amazing range of sounds that I think it may be among the most memorable for a long time. Blackout's phenomenal rhythm section -- Ben Williams and Terreon Gully -- keep a groove going that is subtle but brilliant. If you can get your ears off the melodies and solos, you'll find a rich tapestry in the background.
But that's a big "if" -- Harris has combined and balanced a potent mix of the familiar and not-familiar. Several tracks lay a Vocoder-synthesized melody over the rhythm section, with Harris and others soloing, an effect that was entrancing. Sounding at once unhuman yet warm, it's a delicious treat -- especially on Stevie Wonder's "They Won't Go."
Madeleine Peyreaux's new "Bare Bones" captures a unique mood. It's a mystical brew made with blues-based stock, with all sorts of funky flavors added. The opening track -- "Instead" -- opens with a spot-on imitation of George Harrison's slinky guitar playing (that is, the sounds he favored later, not while with the Beatles). then adds Peyreaux's melancholy and smoky voice.
It's a powerful dose which may not suit everyone, but much of it was entrancing.
Check them out and let me know what you think -- what captures your ears, or sets a mood for you?